Francis Bacon (1909-1992) was a British painter, infamous for his use of brutal imagery and distortions of the human face and body. Well-known for both his violent subject matter and cutting wit, he is commonly considered one of the most important artists of the Twentieth Century. This story is not about him. Content warning: Intended for mature audiences. Content warnings can be found in-game.

A different sort of IF art show. Construct a gallery of portraits by incorporating simple motifs in this choice-based Inform work. Content warnings are available in-game.

The Chinese Room is a hilarious romp through the world of philosophical thought experiments. Have you ever wanted to win Zeno's race? Free the denizens of Plato's Cave? Or find out what it's really like to be a bat? Now is your chance!

Sitting in a cramped theatre, irritated that your partner apparently hasn't turned up, you are strangely intrigued by a current of air. It will lead you to a place very different from your own familiar surroundings...

There's nothing left in your life. There's nothing left in anyone's life. Will he even remember you after all this time? Will he want you back?

City of Dead Leaves is a story told to me by a place that I saw in a dream. As such it's a very personal thing; hopefully you'll find it worth your time. It's not a puzzle game, though it has puzzles; it's not a story game either, though it has a story. It's about cities, and futures, and feelings. About us.

In this minimalist story: Darkness has fallen. There is a loom. You carry a heavy guilt.

a magical realism text adventure written in inform 7. if you get stuck, refer to the downloadable walkthrough text file!

"The sun has gone. It must be brought. You have a rock."

Smoking. It's been your bane for years. Despite your frequent attempts to quit, you still maintained a pack-a-day habit. But that was before a friend sent you a newspaper ad. A drug company needed volunteers to try a new product to wean smokers from nicotine. They promised money and the chance to kick your habit within three thirty-minute sessions. After what seemed like hundreds of forms, you were finally okayed for the program. Today was your first session. At a local clinic you were shown to an examination room, sat in a padded chair, and told to relax as much as possible. A nurse slid the IV drip into the back of your hand with careful precision. It was to be the last thing which went right.

She turns and looks at you curiously. 'You're here. You really came.' 'Of course I did,' you say. 'What happened?' 'I was dreaming,' she says with a sudden, awkward smile. 'I was dreaming of monsters.'

Your vision clears as you gently land in an endless landscape. There is the wind, a bleak and chill thing. And there is your sense of uncertainty: You don't know which way to go. Or, maybe, which way you went.

Mr. Leg woke up in the middle of the night. Help him get some milk. One puzzle. Extremely short. This experimental game was made in an hour and a half. The game is in first person and intentionally uses a childish, all-lowercase, grammatically incorrect minimalist narrative style.

The house is growing. Or perhaps it's you who is shrinking. And with all this extra space is coming....time. Time enough, maybe, to make some changes.

In this ten-sectioned exquisite corpse, you play as Dave, and you've just bought a new house. Your furniture isn't here yet, so it's a good time to explore the nearby woods. But before you get that far, Leslie's disembodied voice tells you you're stuck in a simulation.

It figures that your pickup would die on a night like this and leave you stranded in the dark New Mexico desert. But nothing else figures about this night, man. Nothing at all. An example game for Aaron Reed's book Creating Interactive Fiction with Inform 7.

Your job is to make sure John's party is successful. It won't be, though. Written for the Apollo 18+20 tribute album project.